MA, Creative Technology, Southern Methodist University
BA, Art History, California State University, Long Beach

With a background in art history and museum administration, my work explored the evolving intersections between tradition, technology, and storytelling. Rooted in research and archical pactices, I investigate how digital culture shapes memory, authorship, and visual language in contemporary art.

While earning a Master's in Creative Technology at Southern Methodist University, I began to merge historical methodologies with emerging tools–examining how interactive media, algorithmic systems, and digital fabrication extend the ways we exerience and interpret artistic narratives. My work is informed by an ongoing interest in the ethics of technology, the aesthetics of archives, and the ways in which digital artifacts create new forms of presence and preservation.

Recent projects have explored themes of spirituality in the digital age, algorithmic influence, and data-driven aesthetics–often incorporating experimental interfaces, mixed media processes, and conceptual framworks that challenge the boundaries between the physical and the virtual.

As a researcher and practicioner, I am drawn to the ways in which digital systems both mirror and disrupt historical modes of artistic production. By blending analog and computational approaches, I aim to create immersive, critical, and introspective experiences that invite audiences to reconsider their relationship with technology.